Cabaret in format but operatic in scope, Julia Bullock’s gloriously terrifying “reincarnation” of Joséphine Baker will shake you to your core.

An insightful interrogation of what it means to live both privately and performatively, underpinned by a masterful performance.

An ideal introduction to the theatre, Slingsby’s last hurrah is a timely reminder that storytelling is vital to our survival.

Set in modern Korea, Simon Stone's adaptation of Chekhov's final play captures the tenor of our uncertain times.

WASO’s Underground series, presented with Perth Festival, has become the orchestra’s laboratory for the wilfully eclectic.

A life-altering experience for anyone present, the long-awaited Australian debut of Pygmalion under Raphaël Pichon is a music-making miracle.

William Barton and the Brodsky Quartet are friends; and it shows.

Latin rhythms, suspenseful harmonies and compelling solos in a blend of the old and new.

This high-camp jukebox musical, combining an Elizabethan tale with music by The Go-Go's, still has room for more exuberance.

A stirring evening of bardic entertainment performed in a historic library as evocative as it is beautiful.

Glamour trumps intensity in choreographer Jenni Large’s new work.

A program packed with contrast and superb music-making.