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Chamber, Classical Music
Live Review

Review: Voices Between Worlds (Flinders Quartet)

Eric Avery's year-long collaboration with Flinders Quartet bears remarkable fruit.

May 15, 2026
Theatre
Live Review

Review: Steel Magnolias (Neil Gooding Productions & Woodward Productions)

Every aspect of this staging works to highlight the strengths of Steel Magnolias – to a point where we don’t care about its contrivances.

May 15, 2026
Theatre
Live Review

Review: The Shepherd’s Hut (Black Swan State Theatre Company)

A vivid tale of adolescent redemption inhabited by characters existing at the margins of reality.

May 15, 2026
Classical Music
Live Review

Review: Alexander Gavrylyuk performs Rachmaninov (Sydney Symphony Orchestra)

Gavrylyuk's technique is flawless, sometimes astonishing. But does he overplay his strengths?

May 14, 2026
Theatre
Live Review

Review: Romeo & Julie (Mad March Hare & bAKEHOUSE Theatre Co)

Can young love survive in modern day Cardiff? Gary Owen's warmhearted drama puts everything in its way.

May 14, 2026
Theatre
Live Review

Review: The Importance of Being Earnest (State Theatre Company South Australia)

Oscar Wilde’s classic comedy about gender, identity and sexuality exuberantly reinvented.

May 13, 2026
Chamber, Classical Music
Live Review

Review: Interwoven (Australian String Quartet)

ASQ's soul-stirring touring program is one for the memory bank.

May 13, 2026
Chamber, Classical Music
Live Review

Review: Baroque Without Borders (Utzon Music)

For bassoon fans this one’s the grand-daddy of them all.

May 11, 2026
Classical Music
Live Review

Review: Cocktail Hour with Euan Harvey (Sydney Symphony Orchestra)

Romantic giants up close and downsized for a fine drop of red.

May 11, 2026
Opera
Live Review

Review: La Cenerentola (State Opera South Australia)

With a highly gifted and vocally balanced cast, this is ensemble performance at its best.

May 11, 2026
Chamber, Classical Music
Live Review

Review: Overgrown Paths (Melbourne Chamber Orchestra)

MCO takes its audience on a rewarding stroll along a path connecting Vivaldi's Four Seasons to Libby Croad’s COVID-era Portraits.

May 11, 2026
Theatre
Live Review

Review: Never Closer (Patalog Theatre & fortyfivedownstairs)

Set during Northern Ireland's Troubles, Grace Chapple's tinderbox drama tells a universal story of past violence and ongoing trauma.

May 11, 2026
Opera
Live Review

Review: The Flying Dutchman (West Australian Symphony Orchestra)

Shipshape and Bristol fashion. No weak links in this WASO Wagner led by British baritone Christopher Maltman.

May 10, 2026

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