Review: Dead Weight (Melbourne International Jazz Festival)
Shannon Barnett's inspired site-specific work takes its audience into an unusual aural realm to spotlight sexism and abuse.
Shannon Barnett's inspired site-specific work takes its audience into an unusual aural realm to spotlight sexism and abuse.
Taylor Mac's "opera-concert-song-cycle-musical-performance-art-piece-play" is all of those things – and none of them.
Spectacle, intensity and high drama abound in Shake & Stir's ambitious adaptation of Mary Shelley's classic novel.
Choose your own adventure in this immersive theatre production that entertains more through style than substance.
Aussie piano star Daniel de Borah pours some sparkling Mozart accompanied by a serving of perfectly baked Schubert.
This new take on Puccini’s classic combines visual chic and grittiness in a visually impressive and emotionally moving production.
This accessible, thought-provoking new opera about the First Fleet's arrival helps fill a gap in a history written by visitors who never left.
In this charmingly staged production, the focus is on acting rather than vocal pyrotechnics, with Nancye Hayes the jewel in the crown.
Pedigree Rachmaninov and Schubert performed by a virtuoso pianist from the very top drawer.
Sydney Philharmonia Choirs delivers a powerful and immaculate Australian premiere of one of this century’s greatest works.
Melanie Tait's play beautifully captures small-town community spirit, with tongue-in-cheek humour and plenty of heart.
A fine and very moving performance of Craig Hella Johnson’s oratorio concerning a murder that changed the world.
Conservative programming yields some mixed results in the Joshua Bell-led Academy's Brisbane concert.