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Theatre
Live Review

Review: Afterglow (Midnight Theatricals)

Steamy Manhattan ménage tests love, ego and the limits of openness in modern marriage.

February 13, 2026
Chamber, Classical Music
Live Review

Review: Rachmaninoff’s Rhapsody (Australian Chamber Orchestra)

The ACO’s trademark transparency and kinetic energy in an ideal showcase.

February 10, 2026
Theatre
Live Review

Review: Purpose (Sydney Theatre Company)

Branden Jacobs-Jenkins' play sees a celebrated Black family confront scandal, silence and the high cost of preserving reputation.

February 9, 2026
Dance
Live Review

Review: Incandescence (West Australian Ballet)

Four world premieres at The Quarry balance visual invention, conceptual ambition and uneven dramatic payoff.

February 9, 2026
Chamber, Classical Music, Vocal & Choral
Live Review

Review: Bach’s Motets (Bach Akademie Australia & The Song Company)

Fascinating for aficionados, but Bach's Motets are not especially entertaining in aggregate.

February 7, 2026
Experimental
Live Review

Review: Children of the Resistors (BackStage Music)

A technological spectacle, Children of the Resistors spotlights Sydney’s experimental talent emerging from the underground at Oxford Art Factory.

February 4, 2026
Theatre
Live Review

Review: Traffic Light Party (Jezebel Productions & bAKEHOUSE Theatre)

A student party with a strict dress code exposes the chaos, contradictions and heartbreaks of today's dating culture.

February 3, 2026
Chamber, Classical Music
Live Review

Review: Concord of Sweet Sounds (Salut! Baroque)

Inspired by Shakespeare, Salut! Baroque proves that music is the food of love. 

February 3, 2026
Musical Theatre & Cabaret, Theatre
Live Review

Review: Amplified: The Exquisite Rock and Rage of Chrissy Amphlett (Belvoir)

One star pays tribute to another in this unabashedly celebratory account of a life lived hard.

February 2, 2026
Opera
Live Review

Review: The Pirates of Penzance (Victorian Opera)

The very model of a modern Gilbert & Sullivan production: nostalgic yet fresh and funny, with cast and orchestra on song.

February 2, 2026
Theatre
Live Review

Review: Robert the Octopus (Fish and Twiner & Midsumma Festival)

A surreal farce follows one woman’s ill-fated mission to woo a colleague by half-heartedly adopting a pet octopus.

February 1, 2026
Theatre
Live Review

Review: The Social Ladder (Ensemble Theatre)

Ambition, cultural capital and cheap wine collide in a David Wiliamson comedy that leaves the ladder in place.

January 30, 2026
Opera
Live Review

Review: Hänsel & Gretel (Opera Australia)

Elijah Moshinsky’s iconic production still works its magic, with stunning voices and a sublime reading of the score by maestro Tahu Matheson.

January 28, 2026

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