Review: Cathedral Bach II (Adelaide Baroque)
An uplifting performance celebrating life through the music and times of JS Bach
An uplifting performance celebrating life through the music and times of JS Bach
Kendall Feaver’s densely layered, provocative and sobering new play demands discomfort and discussion.
Little Red’s musical formula for feel-good fun hits the right note for these testing times.
Terence Blanchard’s important new work is gut-wrenching, but it’s also uplifting.
In an evening of vibrant music spanning centuries and genders, an intimate crowd congregated at Mecca Cafe in Alexandria to witness the unusual yet playful combination of Claire Edwardes' five-octave marimba and Nick Russoniello's soprano saxophone.
Golijov's Three Songs for Soprano and Orchestra, with Sara Macliver as soloist, was the highlight of a wonderful concert that also featured music by Prokofiev and Sibelius.
Mitch Harvey performs the inaugural production for his new company, an immersive work set in a futuristic dystopian world.
A moving performance by Darwin Symphony Orchestra, performing music of motion and energy in an intriguing cross-artform collaboration with local dance company Slide Youth Dance.
Alessandro Pittorino squeezed every inch of tonal colour from the concert organ during his improvised live accompaniment to the 1922 German expressionist horror film.
An Aussie Josephine is just one of the rippers as G&S meets Morecambe and Wise.
A moving, colourful production of Michael Gow’s Australian summer classic.
Pianist Karen Smithies and cellist Jonathan Békés are a match made in heaven and this recital showcased the art of musical conversation at its best.
An intimate and incomparable evening of chamber music from Ensemble Q with Eva Kong.