Review: The Princess Theatre Opening 2.0 with Collar
This spectacular re-opening heralds great things for Brisbane’s music scene.
This spectacular re-opening heralds great things for Brisbane’s music scene.
Ensemble Offspring is back with its latest batch of high energy new works.
Dean Bryant directs yet another sensational production for the Hayes Theatre Co with a brilliantly staged, moving version of Sondheim's musical.
A new, experimental arrangement of Sue Healey’s iconic moving-image portraiture.
Amidst this fast-paced, and at times mad reading of Mozart’s masterpiece, the opera ultimately triumphs, with Jeremy Kleeman particularly impressive as Figaro.
There were no surprises in this concert featuring two excellent, well-known pieces but there was satisfying playing all round.
An award-winning new Australian play by Steve Pirie offers an insight into the funeral industry.
An absorbing performance by a unique musical innovator.
In his first visit to the Top End, Jayson Gillham gave a dazzling recital of Bach transcriptions and his own favourite Chopin works.
Johannes Fritzsch handles a seemingly disparate program beautifully, while Konstantin Shamray's performance of difficult concerto will be talked about for years to come.
Blue is the healing colour and Ensemble Offspring's new online concert offers balm for lockdown-weary souls.
This diverse quartet of works shows the depth and range of Queensland Ballet’s company and student ranks – some in surprising new ways.
A good night at the theatre, performed by a terrific cast of three, although the production has no clear political target.