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World
Live Review

Review: Vieux Farka Touré (Sydney Opera House)

An unforgettable Utzon Room showcase from Vieux Farka Touré, “the Hendrix of the Sahara”.

March 5, 2023
Chamber, Festivals
Live Review

Review: The Cage Project (Musica Viva Australia)

Every aspect of The Cage Project expresses a deep sense of collaboration and mutual trust between its performers.

March 5, 2023
Theatre
Live Review

Review: A Little Life (Adelaide Festival)

Director Ivo van Hove's adaptation of Hanya Yanagihara's novel A Little Life is an unsubtle yet penetrating exposition of the worst of humanity.

March 5, 2023
Festivals
Live Review

Review: Björk (Perth Festival)

Björk’s Cornucopia concert is true to the imagery the title evokes; an abundant feast of vocal artistry, musicianship, visual design and performance art.

March 4, 2023
Festivals, Theatre
Live Review

Review: Dogs of Europe (Belarus Free Theatre, Adelaide Festival)

Exiled from their homeland, the performers of Belarus Free Theatre deliver an urgent warning against complacency in the face of rising authoritarianism.

March 4, 2023
Theatre
Live Review

Review: Hide the Dog (Perth Festival)

Hide The Dog is an unexpected coming-of-age story, a reminder to stay in touch with one’s culture and to listen to others.

March 3, 2023
Chamber
Live Review

Review: Jordi Savall with Hespèrion XXI (Sydney Opera House)

A glorious, golden night of music making from Jordi Savall and friends that lifted a full-house audience out of its seats and on to its feet.

March 2, 2023
Theatre
Live Review

Review: Macbeth (Bell Shakespeare)

The Bard’s most concise and violent tragedy gets a softly-softly reading in this production starring Hazem Shammas.

March 2, 2023
Dance
Live Review

Review: KING (Shaun Parker & Company)

Toxic masculinity is put under the microscope as Shaun Parker’s testosterone-infused dance work KING returns for Sydney WorldPride before touring Europe.

March 2, 2023
Chamber
Live Review

Review: Heartstrings (Camerata)

Classic works by Tchaikovsky and Copland, interspersed with lesser-known contemporary pieces, made for a delightful Camerata season opener.

February 27, 2023
Opera
Live Review

Review: Carmen (West Australian Opera)

The company’s outdoor offering for 2023 is its boldest move yet, a well-judged production of Bizet’s Carmen at the WACA stadium.

February 26, 2023
Orchestral
Live Review

Review: MSO Opening Gala: Zenith of Life (Melbourne Symphony Orchestra)

Melbourne Symphony Orchestra launches its season with a powerful if sonically patchy showcase featuring Siobhan Stagg and a new work by Mary Finsterer.

February 26, 2023
Chamber
Live Review

Review: Time is a River (Omega Ensemble)

Powerful hints of mortality in an Omega Ensemble programme that ranges across time and country and those who have gone before us.

February 26, 2023

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