Review: Vieux Farka Touré (Sydney Opera House)
An unforgettable Utzon Room showcase from Vieux Farka Touré, “the Hendrix of the Sahara”.
An unforgettable Utzon Room showcase from Vieux Farka Touré, “the Hendrix of the Sahara”.
Every aspect of The Cage Project expresses a deep sense of collaboration and mutual trust between its performers.
Director Ivo van Hove's adaptation of Hanya Yanagihara's novel A Little Life is an unsubtle yet penetrating exposition of the worst of humanity.
Björk’s Cornucopia concert is true to the imagery the title evokes; an abundant feast of vocal artistry, musicianship, visual design and performance art.
Exiled from their homeland, the performers of Belarus Free Theatre deliver an urgent warning against complacency in the face of rising authoritarianism.
Hide The Dog is an unexpected coming-of-age story, a reminder to stay in touch with one’s culture and to listen to others.
A glorious, golden night of music making from Jordi Savall and friends that lifted a full-house audience out of its seats and on to its feet.
The Bard’s most concise and violent tragedy gets a softly-softly reading in this production starring Hazem Shammas.
Toxic masculinity is put under the microscope as Shaun Parker’s testosterone-infused dance work KING returns for Sydney WorldPride before touring Europe.
Classic works by Tchaikovsky and Copland, interspersed with lesser-known contemporary pieces, made for a delightful Camerata season opener.
The company’s outdoor offering for 2023 is its boldest move yet, a well-judged production of Bizet’s Carmen at the WACA stadium.
Melbourne Symphony Orchestra launches its season with a powerful if sonically patchy showcase featuring Siobhan Stagg and a new work by Mary Finsterer.
Powerful hints of mortality in an Omega Ensemble programme that ranges across time and country and those who have gone before us.