This adaptation of the vampire cinema classic Nosferatu dwells in the netherworld between popular and intellectual theatre.

Edward Albee's Tony Award-winning The Goat, or Who is Sylvia? plumbs the depths of the moral low ground. No kidding.

The Eurelia Trio's outstanding debut concert celebrates Russian Romanticism on Valentine’s Day eve.

Australian director Simon Stone’s dazzling Phaedra is a razor-sharp skewering of champagne socialism.

American tenor Michael Fabiano’s Melbourne debut showcases his vocal power, technical excellence and heartfelt passion.

SIMA's Dundun Firestick lacked thematic cohesion but was made wholly satisfying by talented musicians exploring diverse but equally important themes.

A spellbound audience in the Elisabeth Murdoch Hall experienced sublime moments during the opening concert of the 3MBS Marathon.

The ooh-ah factor is sky-high even if the show’s conceptual underpinnings of The Mirror don’t last the distance.

Cosmology and composition collide in Music of the Spheres, an unusual musical journey through time and space, including extracts from Richard Mills' new opera Galileo.

The worst five-a-side team in Hull star in Tom Wells' Jumpers for Goalposts, a charming queer comedy about community and self-acceptance.

The Sydney Symphony Orchestra inaugurated its 2023 season and covered itself in glory, revelling in the Concert Hall’s enhanced acoustics.

ACO's 2023 season gets off to a scintillating start with Ilya Gringolts, “the violinist’s violinist”, firmly in the driving seat.