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Festivals, Theatre
Live Review

Review: Hubris & Humiliation (Sydney Theatre Company)

Lewis Treston’s sparkling, OTT, queer rom-com Hubris & Humiliation is a perfect piece of programming for WorldPride.

January 26, 2023
Vocal & Choral
Live Review

Review: Woven Song (Short Black Opera, Sydney Festival)

Inspired by a collection of magnificent tapestries, Deborah Cheetham's Woven Song benefits from the first-hand communication of its composer.

January 26, 2023
Theatre
Live Review

Review: Sunday (Melbourne Theatre Company)

Melbourne Theatre Company's Sunday is a brilliantly realised ode to some of the most important figures in modern Australian art.

January 22, 2023
Classical Music, Vocal & Choral
Live Review

Review: Reimagine (Gondwana Choirs, Equus, The Djari Project)

The 2023 Gondwana Choirs National Choral School comes to a joyous conclusion as 150 young singers perform with guest artists.

January 21, 2023
Dance, Festivals
Live Review

Review: Kairos (Meryl Tankard, Sydney Festival)

Meryl Tankard’s Kairos proves easy to watch and to listen to but its full meaning remains elusive.

January 20, 2023
Theatre
Live Review

Review: Blue (Belvoir, State Theatre Company South Australia)

The self-penned Blue confirms Heartbreak High star Thomas Weatherall as an actor and emerging playwright to watch.

January 19, 2023
Orchestral
Live Review

Review: Strauss, Korngold, Bernstein (Adelaide Summer Orchestra)

Andrew Haveron shines in an illuminating Adelaide Summer Orchestra concert revealing the foundations of contemporary cinematic music.

January 16, 2023
Theatre
Live Review

Review: Urinetown (Heart Strings Theatre Co, Hayes Theatre Co)

As a satire, it holds us at arm's length, but Urinetown is also an affectionate parody of the Broadway musical, and therein lies much of the fun.

January 15, 2023
Theatre
Live Review

Review: To Barbra, With Love (Live Nation)

This classy concert is an exhilarating, loving tribute to the one and only Barbra Streisand.

January 14, 2023
Festivals, Instrumental
Live Review

Review: Kaitlyn Aurelia Smith: Call to the Morning (Sydney Festival)

Delivering an engaging and bold set for a slowly-waking Sydney, the American composer served up more than the marketing copy promised.

January 13, 2023
Theatre
Live Review

Review: ROOM (James Thiérrée, Compagnie du Hanneton, Sydney Festival)

Do not blink, do not miss a second of this extraordinary trip into the unruly labyrinthine of its creator’s mind.

January 12, 2023
Dance, Theatre
Live Review

Review: Tracker (Australian Dance Theatre, ILBIJERRI Theatre Company & Sydney Festival)

Daniel Riley's Tracker is a profound work that deftly transports the audience onto Country through the power of storytelling.

January 11, 2023
Chamber, Classical Music, Festivals
Live Review

Review: Asko|Schönberg in Concert with Ensemble Offspring (Sydney Festival)

A cleverly-programmed delve into Louis Andreissen soared to gorgeous minimalistic highs, despite distracting technical issues on the night.

January 11, 2023

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