Review: ROOM (James Thiérrée, Compagnie du Hanneton, Sydney Festival)
Do not blink, do not miss a second of this extraordinary trip into the unruly labyrinthine of its creator’s mind.
Do not blink, do not miss a second of this extraordinary trip into the unruly labyrinthine of its creator’s mind.
Daniel Riley's Tracker is a profound work that deftly transports the audience onto Country through the power of storytelling.
A cleverly-programmed delve into Louis Andreissen soared to gorgeous minimalistic highs, despite distracting technical issues on the night.
A spirit of friendship, openness and innovation fuelled Inventi Ensemble's exploration of the many colours of music.
Stunning, bonding and thoughtful, this immersive eight-hour experience reaches out to the world beyond its four walls.
A retro rock-pop setting delivers lots of laughs and delightful music under the stars.
With striking field recordings, lighting and live performance, Speak Percussion takes us on a trepidatious, yet stunning expedition through the wild wonder of Antarctica.
In its quiet, gentle way, Sun & Sea is a work of genius that will linger long in the memory.
Powerhouse performances by baritone Andrei Kymach and bass-baritone Yuri Kissin deliver a solid start to Opera Australia's 2023 season.
Mary Finsterer's heart-stoppingly beautiful new opera is endlessly absorbing, sonically and visually.
Amadeus, Peter Shaffer’s best-known play, rings loudly and clearly in this new production that kicks off the Sydney Opera House’s 50th year. Loud and clear, but hollow.
Having a conductor of the standing of Brett Weymark, lifted the performance of the amateur musicians to fresh heights, with an outpouring of delight from the audience.
Jack shall have Jack and nought shall go ill in this fizzy, funny staging of Shakespeare’s oft-performed comedy.