An opportunity for the TSO to program really big works rarely available to Tasmanian audiences was again made possible by incorporating highly skilled players from the Australian National Academy of Music in Melbourne.

Principal conductor Eivind Aadland’s achievement in melding some 95 players into a vibrant and cohesive musical organism was immediately apparent in the sweeping, rich and finely coordinated textures of Richard Strauss’s Don Juan, Op. 20. This breakout masterpiece by the 24-year-old composer remains an exemplary example of storytelling in music. The performance was both passionate and poetic; that unforgettable moment when the extraordinary leaping horn theme arrives electrifyingly achieved.

Siobhan Stagg. Photo supplied

The second suite from Ravel’s Daphnis and Chloé provided the high point of the concert in terms of orchestral virtuosity. Ravel’s orchestration is masterly in its colour and transparency while the music has a sensual allure and excitement that is at times overwhelming in its vivid power. The glorious woodwind playing was exemplified by great work from guest Principal flute Lily Bryant. Orchestral discipline, balance and dynamic range were exceptionally fine throughout with the percussionists having a field day.

The luxuriant autumnal beauty of Strauss’s Four...