This live recording from 2023 captures one of Simon Rattle’s earliest projects as the chief conductor of the Bavarian Radio Symphony Orchestra. It’s a lovely interpretation of Mozart’s early masterpiece, performed to the hilt by a fresh-sounding cast of lighter voices, a committed choir and an orchestra who seem invigorated by their new chief. Rattle’s affection for and experience with the work is clear, and he draws out a very refined, shapely account from his assembled musicians.

Hardly less familiar with the opera, Magdalena Kožená is a standout as Idamante. She has that special quality of putting the audience at ease – you know you’re always in good hands with her – and a way of singing from within the text. The voice might lack a little body at this stage in her career, but her sensitivity and ability to communicate the plight of a young man in crisis is unquestionable.

As Idomeneo, Andrew Staples has an easy natural authority, offering up a thoughtful interpretation that is often very moving. One could wish for a bit more colour in the voice, but that...