If one was looking for proof in the wisdom of Adelaide Symphony Orchestra’s visionary decision to select young Australian Nicholas Carter as Chief Conductor, this was probably the concert.

For some conductors, it’s purely the ability to achieve a great sound, but in this case in point, it was also obvious in the unusual, but highly effectively and innovative  programming of Messiaen, Sibelius and Berlioz. If one is seeking a narrative for this programme, the theme which comes to mind is the ability of orchestral music to capture and bring to life the rich characters and emotions of life.

Messiaen’s Le Tombeau Résplendissant is a 1930s work that is filled with two strong examples of life, shaped by Messiaen’s strong religious conviction. The work has two marked themes – one a jarring, energetic feel, capturing the spirit and gratitude of life and the other a quiet, calm and eerie capture that captures the calm and piece of death.

In this Adelaide premiere of the Messiaen, Carter and the ASO created a very fine performance, which beautifully captured the work’s energy and pathos. The precision required in the bright, angular sections was sheer perfection. With no unclear sound blends, the energy was piercing....