Constantine Costi applies his fertile brain to Humperdinck’s Wagnerian family favourite based on a typically gory story from the Brothers Grimm. With its haunted forest, gingerbread house and child-gobbling witch, there’s plenty for a director to get their teeth into, and while the marketing hyperbole suggests that this will be Hansel…

Constantine Costi applies his fertile brain to Humperdinck’s Wagnerian family favourite based on a typically gory story from the Brothers Grimm. With its haunted forest, gingerbread house and child-gobbling witch, there’s plenty for a director to get their teeth into, and while the marketing hyperbole suggests that this will be Hansel…

Constantine Costi applies his fertile brain to Humperdinck’s Wagnerian family favourite based on a typically gory story from the Brothers Grimm. With its haunted forest, gingerbread house and child-gobbling witch, there’s plenty for a director to get their teeth into, and while the marketing hyperbole suggests that this will be Hansel…

Constantine Costi applies his fertile brain to Humperdinck’s Wagnerian family favourite based on a typically gory story from the Brothers Grimm. With its haunted forest, gingerbread house and child-gobbling witch, there’s plenty for a director to get their teeth into, and while the marketing hyperbole suggests that this will be Hansel…

Constantine Costi applies his fertile brain to Humperdinck’s Wagnerian family favourite based on a typically gory story from the Brothers Grimm. With its haunted forest, gingerbread house and child-gobbling witch, there’s plenty for a director to get their teeth into, and while the marketing hyperbole suggests that this will be Hansel…