Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…

Choreographer Alice Topp reimagines Shakespeare’s tragedy in a contemporary world of politics, media and influence. Six years in the making, this co-production with Royal New Zealand Ballet had its world premiere in Wellington in February. Drawing on 1940s big band, 1970s funk, progressive rock and electronic dance music, Christopher Gordon’s score combines…