Turandot was radically different to anything Puccini had written before. To mark its centenary, Opera Australia is staging a new production.

The connection between being and seeing – physically and metaphorically – shapes Bangarra's brilliantly illuminating new work.

The donation supports a children's exhibition from Kip Williams and Elizabeth Gadsby and the establishment of a new gallery.

Joan Lindsay’s 1967 novel Picnic at Hanging Rock transformed into an electrifying post-modern ripping yarn.

There's a tendency to handle Mozart with kid gloves, says State Opera South Australia's Dane Lam, "But he could be a very dirty man!"

Jane Harrison's powerful play offers a very different, thought-provoking perspective on the arrival of the First Fleet.

Opera Queensland's Cosi is a lot funnier, fancier and fizzier than its advertising poster suggests.

Frances Rings' powerful new work – at once deeply personal and political – confirms the company is in good hands as it enters a new era.

Mary Finsterer's heart-stoppingly beautiful new opera is endlessly absorbing, sonically and visually.

Although spectacular and filled with the amusing antics of its characters, this staging of Shakespeare's final play cannot overcome the inherent shortcomings of its writing.

Likening opera to slow-cooking, Opera Queensland’s Artistic Director Patrick Nolan continues breaking new ground with his genre-defying programming from QPAC to the outback.

Despite exquisite vocal and musical performances, this staging of Benjamin Britten's Canticles is less than the sum of its otherwise beautiful parts, landing somewhere between performance art and oratorio.