A timely message of redemption and hope in a concert shining light into the world's dark places.

Gurrelieder was one of Schoenberg’s greatest public triumphs. We discuss the cantata with Simone Young, who's conducting the Sydney premiere.

David Malouf’s poetic world brought to life thanks to Katie Noonan & co.’s beautiful blend.

Lerida Delbridge presents her first Hunters Hill Music Series, one that promises to be "inclusive and unifying".

Neither pandemic, nor flood, nor last-minute changes of cast or caterer have managed to dim the brilliance of this 10-year-old gem of a festival.

The TSO's 2024 season is an ode to joy. "As an orchestra, we give a feeling, an experience," says Chief Conductor Eivind Aadland.

The tensions between private grief and public ritual movingly explored in an eloquent, expertly performed War Requiem.

The SSO's Chief Conductor Simone Young talks to Limelight about some of her personal highlights in the upcoming season.

Directed by Andrew Haveron, the SSO strings strut their stuff and two extraordinary guest artists shine.

In August, Sydneysiders will finally get an opportunity to experience the full breadth of horn genius Stefan Dohr’s artistry.

The astonishing floating puppets of Robert Lepage’s The Nightingale and Other Fables to make their Australian debut in the 2024 Adelaide Festival.

Every time the Vienna-based Australian soprano Alexandra Flood returns home, young singers seek her advice about art song. Now she’s establishing a festival to ensure its future.