Arts Centre Melbourne CEO Claire Spencer discusses the support the Arts Wellbeing Collective is giving performing arts workers during the coronavirus crisis, and the path to reopening theatres.
This week, Jo Litson recommends Inua Ellams’ exuberant play Barber Shop Chronicles, Sam Mendes’ 1993 Donmar Warehouse production of Cabaret starring Alan Cumming, and Tim Crouch’s I, Malvolio.
This week Jo Litson recommends John Foreman’s digital variety show Big Night In, and two live streamed concerts, Here’s to the Ladies and Lights Up on the Arts [Home Delivery].
Performance spaces are being redeveloped and built all over the country. Steve Dow charts the changes happening to mainstage venues, and explains what this flurry of architecture will mean for classical music and the performing arts.
The young cast sure can dance, but lacks the dramatic chops to sell this dark tale.
This one-woman show by Paul Grabowsky and Steve Vizard reveals soprano Emma Matthews still at her peak and exploring new possibilities.
The much-loved Australian soprano discusses the world premiere of a song cycle written for her by composer Paul Grabowsky and librettist Steve Vizard, which draws on her own experiences as an artist.
Opera Australia will donate 30 of Joan Sutherland’s most recognisable costumes to the nation’s largest collection of performing arts memorabilia.
A contemporary triple bill by three in-house choreographers.
The Space Between by Paul Grabowsky and writer Steve Vizard is a tribute to the operatic heroine.
It may be based on a fairytale, but Angelin Preljocaj’s steps are only for adults to dance.
Ahead of her Violetta for Opera Australia, we give the American soprano the Five Questions treatment.
The sitar virtuoso studied with her father, the late, great Ravi Shankar, from age seven. She talks about the humanitarian inspiration for her album, which she plays live in Australia this month.
