Review: Branford Marsalis (Australian Chamber Orchestra)
A performance of great energy and meticulous cohesion in every detail.
A performance of great energy and meticulous cohesion in every detail.
The celebrated fashion designer, and arts patron, grew up in Italy listening to the garbage men singing arias. But it wasn’t until she moved to Australia that a life-long love for opera was kindled.
It's #AussieAussieAussie as Tognetti flies his musical flag in the Big Apple.
The Australian Chamber Orchestra is out in front with two nominations, while the Grigoryan Brothers are recognised once again.
Italian violinist Lorenza Borrani delivers a fiery, otherworldly concert with the ACO.
Car’s program is well-sung and played, if curiously put together.
Eight talented young musicians will take part in the ACO's prestigious mentoring program.
A thought-provoking journey through music old and new – and back again.
The intersection of classical music with other genres such as rock and pop is growing fast, with novel sounds emerging. But what should we call such collaborations? Classical music? Serious music? And how did the division between highbrow and lowbrow music first come about?
In her new piece for the ACO, Heather Shannon draws on both her classical training and work with indie rock band The Jezabels.
With the orchestra’s lease at Circular Quay ending in December and delays to new studios in Pier 2/3, the orchestra will have to find a new home in 2020.
The ACO and the Estonian Philharmonic Chamber Choir interweave Bach and Pärt with ethereal beauty.
Violinist Ike See will play the 1590 Brothers Amati violin with the orchestra.