Review: Big Girls Don’t Cry (Belvoir)
Dalara Wlliams' portrait of Redfern in the 1960s is also a gripping Indigenous ‘her-story'.
Dalara Wlliams' portrait of Redfern in the 1960s is also a gripping Indigenous ‘her-story'.
Inspired by the tragic story of an exorcism-gone-wrong, Melissa Reeves' play is scintillating and surreal.
Andrew Bovell distills a century of political violence and secrecy into the story of a Madrid family struggling with its demons.
What starts as a petty arrest spirals into something much bigger in this story based on a famous Victorian scandal.
Opera Queensland's Straight From The Strait and Shake & Stir's GRIMM among the productions in the running for awards recognition.
Belvoir's August: Osage County dominates mainstage awards; Jim Sharman honoured in a ceremony celebrating the best in Sydney theatre in 2024.
A scintillating, uncomfortable comedy that lets no-one off its hook – especially the audience.
Yuwaalaraay actor, screenwriter and playwright Hannah Belanszky will spend the next 18 months as a Belvoir resident artist, working on her new play.
Griffin's Lewis Trilogy, STC's Stolen and the indie hit The Inheritance among the shows picked by the critics as 2024's best.
What do our theatre companies have on offer in the year ahead?
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Petra Kalive to succeed Mitchell Butel at the helm of State Theatre Company South Australia.
Pamela Rabe is magnificent in Belvoir's stripped-back and electrifying production of Tracy Letts' 21st century American classic.