Music Without Sauerkraut
On the centenary of Erik Satie's death, we examine the iconoclastic composer once described by John Cage as “indispensable”.
On the centenary of Erik Satie's death, we examine the iconoclastic composer once described by John Cage as “indispensable”.
This month features three homegrown blockbusters, two new takes on Ravel, women’s-eye views of Venetian Baroque, a haunting Faerie Bride and a Flying Dutchman for the library.
Elegant pianism draws these fragments into a compelling exploration.
On the 150th anniversary of Ravel's birth, Robert Treviño and Bertrand Chamayou talk to us about why his music is so unique and widely loved.
A nail-bitingly close contest sees an independent label carry off the top prize.
In a nail-bitingly close contest, an independent label carries off the top prize.
A beautiful parting gift from one of the world's greatest string quartets.
Bertrand Chamayou talks to Clive Paget about a nine-year-old’s encounter with modern music and how to make bells sound like bells.
This year the annual festival not only filled the streets of the ancient French city with music, but it also breathed new life into an abandoned stadium with Mahler's Resurrection.
Going gentle into the good night with a magical piano recital.
Chamayou’s Saint-Saëns reassesses an old master.
When two or three are company: French dream-team deliver detailed, red-blooded renditions of early and late Debussy.
The French pianist's new Debussy disc is Limelight's Recording of the Month in April.