Cat Hope takes stock of the incredible service the outgoing Australian Music Centre CEO has dedicated to an organisation that supports a large ecology of creative people and activity.
The composer tells us about how exploring her local neighbourhood inspired a new concert series that aims to support musicians who have been hit hard by the pandemic.
Cameron Lam spotlights the flute in his latest playlist of new Australian music.
Outback pianos, telegraphs, lakes and Percy Grainger forge new piano sounds.
Challenging scenarios for collaborative, COVID music making.
Dynamic new music projects are emerging from lockdown, Julian Day reports.
Composers, performers and organisations around the county were acknowledged in a virtual ceremony.
With 20 composers commissioned across the course of the year, the new music group’s online series is yielding a cascade of beautiful, eye-catching miniatures.
Greater diversity in revamped categories sees the established go head-to-head with the up-and-coming.
The US-based Australian composer takes home $10,000 as the winner of the inaugural Monash International Women’s Day Composition Commission Prize.
Soprano and composer Deborah Cheetham is one of a number of exciting appointments at the Sir Zelman Cowen School of Music, which, as Head of School Professor Cat Hope explains, is looking to the future of music in Australia.
While the list of finalists this year included several newcomers, the night largely belonged to established voices and previous award winners.
The University’s Faculty of Arts is investing in new appointments, and is seeking recruits.
