Review: Dragon Ladies Don’t Weep (Chamber Made, Asia TOPA)
An avant-garde icon offers rare insights into what drives her.
An avant-garde icon offers rare insights into what drives her.
New songs by Brenda Gifford, a performance piece inspired by the life of experimental pianist Margaret Leng Tan and six new Australian operas are among the projects funded.
Successful applicants include the Australian Music Centre, Four Winds Festival, and the Sydney Conservatorium's Composing Women line-up for 2018/19.
Musicians receiving funding include Liza Lim, Richard Mills, Mary Finsterer, Richard Gill’s ARCO and Chamber Made Opera. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Performance artist and director Tamara Saulwick steps into a new role at the adventurous CMO.
Permission to Speak aims to explore parent-child relationships through sound, action and percussive cutlery.
This ode to Bergman's masterwork, Persona, is technically virtuosic but ultimately impenetrable.
The artistic director of Opera Australia on why the artform needs to adapt and reach out to survive.