Nicole Car dazzles in Sarah Giles’s five-star staging of Dvořák’s masterpiece – the best in decades.

The connection between being and seeing – physically and metaphorically – shapes Bangarra's brilliantly illuminating new work.

Immaculate work from a company of 12 but there may be less to The Chronicles than meets the eye.

Rusalka is a potent reminder that opera is a hybrid beast with real power to engage and sometimes overwhelm.

Theatre and opera designer Charles Davis heads to Europe to participate in workshops and creative labs.

The program includes a new ballet by Christopher Wheeldon about Oscar Wilde, exclusive to TAB, a new Stephanie Lake work and the return of some favourites.

Sarah Giles' decadent production features some wonderful performances and a set design that cleverly shifts perspective.

Patricia Cornelius's poetically powerful depiction of dementia and old age is stranded in the wilderness, its potential unfulfilled.

Director Constantine Costi details the challenges and excitements of adapting two works by Weill and Brecht for the tiny stage at Sydney's Old Fitz.

Samuel Beckett's play may be celebrating its 60th anniversary but it still feels as timely as ever in this production starring Belinda Giblin and Lex Marinos.

This farce, set over Christmas lunch, is written with an unusual twist, but the humour largely fails to land.

Tonight's online premiere of four short operas by four Australian women composers is a major achievement for Australia's most inspirational modern opera company.