Christopher Gordon: A musical feast
Christopher Gordon explains how he accidentally ended up releasing a double album of his own chamber music compositions, spanning 36 years.
Christopher Gordon explains how he accidentally ended up releasing a double album of his own chamber music compositions, spanning 36 years.
Our April features explore the new Cobar Sound Chapel, a documentary about luthier Harry Vatiliotis's last violin, musical arrangements in the past and today, and the joy of walking and its link to creativity.
Graeme Murphy's new ballet is an imaginative feast for the eyes, igniting the senses, but it doesn't sustain emotional engagement.
The artist, designer and director on closing Theatre of Image, publishing a 30th anniversary book, and adapting and designing a ballet of The Happy Prince.
David McAllister’s final program as Artistic Director includes three new full-length ballets, including Anna Karenina, and a new short work by Alice Topp.
Scheduled by The Australian Ballet to premiere this year, but delayed due to ill health, Graeme Murphy's new ballet will now open in Brisbane in February 2020.
Highlights include new full-length ballets by Graeme Murphy and Stanton Welch, Les Ballets de Monte-Carlo in Lac, and a new Resident Choreographer.
Bruce Beresford’s film Ladies in Black is about to grace the screen. Composer Christopher Gordon tells us about his music, which suits the 1950s period but doesn’t sound like the score from a movie of that era.