Defying a pandemic, Pinchgut’s film brings Barbara Strozzi to life
Social distancing and disinfectant help tell a tale of love, madrigals and gender politics.
October 23, 2020
Review: Werther (Opera Australia)
Michael Fabiano makes a promising role debut, but the real star is Elena Maximova's vividly realised Charlotte.
February 23, 2019
Review: Bittersweet Obsessions (Australian Brandenburg Orchestra)
Constantine Costi presents a touching and zany triptych of works by Monteverdi and Bach.
October 28, 2017