Composer Connor D’Netto talks about consolidating a fractured view of his identity in his new album Some Kinda Way.

Shamistha de Soysa discovers how trans performance artist Kit Spencer is lending a modern-day voice to the castrati of old.

Ahead of Backstage Music's Unbound concert, soprano Ria Andriani explains why it is vital to open up spaces for artists with disability.

American percussionist, conductor and author Steven Schick unravels the musical philosophy that informs his residency at the Australian National Academy of Music.

Artistic Director/curator Tamara Saulwick and sound artist Monica Lim chat to about Chamber Made’s performance and installation series Listening Acts.

Mat Schulz, the co-Artistic Director of Kraków’s Unsound festival, unpacks his 2025 program for Illuminate Adelaide.

Eugene Ughetti tells Maddy Briggs about his new work for Speak Percussion, which involves trap machines, flying clay and two live percussionists.

Ensemble Offspring joins new music giants at Bang on a Can’s 2025 Long Play festival. Claire Edwardes tells Maddy Briggs why she’s so thrilled.

Liza Lim talks to Maddy Briggs about her curatorial vision for the Melbourne Symphony Orchestra’s 2025 Metropolis Festival.

Audible Edge is “an experimental music bender” in Boorloo/Perth. Its co-curators Annika Moses and Josten Myburgh give us the festival low-down.

Simon Rogers, Artistic Identity Director of the Tasmanian Symphony Orchestra, talks about upcoming concerts centring non-traditional music.

Claire Kilgariff, Artistic Director of Darwin’s Arafura Music Collective, on collaborating with Ensemble Offspring and commissioning a new work.