Composer and Artistic Director Evan J Lawson chats with Maddy Briggs about Forest Collective’s upcoming, multidisciplinary concert series.

Sex, demigods and a three-headed beast, Gilgamesh has it all. Composer Jack Symonds talks about his new opera based on the Mesopotamian epic.

Marshall McGuire, Chair of the Australian Music Centre, discusses the importance of Australia’s Art Music Awards with Maddy Briggs.

Marshall McGuire, Director of Programming at Melbourne Recital Centre, talks about its daring new music series.

Liza Lim unveils three world premieres in Australia in the coming months. She unpacks them and explains why she sees artists as “antennae”.

Brooklyn-based composer William Brittelle talks to Maddy Briggs about his latest, genre-blind mini-album in which he stares down the apocalypse.

Elizabeth Jigalin and Oliver John Cameron discuss their new site-specific work Sonant Traces, which has its world premiere at Sydney’s White Bay Power Station this month.

The second outing of Brisbane Powerhouse’s ΩHM Festival of Other Music marks Queensland as an international player in left-field, contemporary arts.

Sophia Brous discusses her site-specific work The Invisible Opera, which explores the concept, dynamics and paradoxes of a public space.

Yuwaalaraay composer and storyteller Nardi Simpson reflects on her recent tour of Europe with Ensemble Offspring.

Associate Director Nhlanhla Mahlangu and composer Kyle Shepherd discuss William Kentridge’s Olivier Award-winning Waiting for the Sibyl ahead of its Australian premiere.

Curator Jonathan Wilson explains his ideas for Volume, a new festival at the Art Gallery of New South Wales.