The Melbourne-born international opera star presents a very personal program of surprising stylistic diversity.

Danielle de Niese is incandescent in her role debut in a new OA Carmen that's great on character, great on relationships.

On the 150th anniversary of Carmen, we talk to director Anne-Louise Sarks about her new production for Opera Australia.

Melbourne's Australian Contemporary Opera Company pulls the plug on its February festival. Slow advance sales to blame.

Three Australian premieres in ACOCO's 2025 festival of contemporary opera; soprano Danielle de Neise to star in gala finale.

After navigating turbulence in recent weeks, Opera Australia charts a course to "engage and delight" in 2025.

Ahead of her turn as Lehár’s plucky heroine, the soprano tells us why the best operetta is like making a meringue.

Stunning sets and star power have made Murphy’s production the most popular production of the work in the company’s history.

Romancing Danielle de Niese or tapping out Kosky’s Shostakovich, meet the tenor who ‘nose’ no bounds.

Homecoming queen Danielle de Niese sings and dances her way through this lavish new production.

The Aussie star won Young Talent Time at age eight. We caught up with the soprano ahead of her debut in The Merry Widow. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Superstar tenor’s Lehár brings down the house as well as the underwear at the famous Last Night. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in