Introducing the November 2025 issue of Limelight
From the conductor’s podium to opera’s power plays, November’s Limelight captures the people shaping Australia’s musical, operatic and theatrical future.
From the conductor’s podium to opera’s power plays, November’s Limelight captures the people shaping Australia’s musical, operatic and theatrical future.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
The first evening of MSO’s Composing Australia series offered a thrilling and diverse survey of Australia’s art music world.
Cameron Lam’s monthly Australian Art Music playlist once again features the piano, both solo and in ensembles across Classical, Jazz, and Sound Art.
Liza Lim talks to Maddy Briggs about her curatorial vision for the Melbourne Symphony Orchestra’s 2025 Metropolis Festival.
Composer Ella Macens to create a new work for AHE and help foster new talent in the ensemble's Emerging Composers Workshops.
Omega celebrates its milestone with a host of world premiere works, internationally regarded collaborators and a refreshed "vision for the future".
New venues, new pre-concert events, old friends and some deep dives into the most emotional works of the 18th century masters.
Matthew Hindson looks at the "quiet, brilliant" success of Australian composers overseas.
With 18 more composers set to write new works, the ANAM Set will have commissioned 105 pieces by the end of next year.
Cameron Lam celebrates five years of curating the Australian Art Music playlist featuring music across Classical, Jazz and Sound Art.
Australian Haydn Ensemble will "walk a lot taller" after its critically acclaimed west-to-east traverse of America.
The Music Director of Sydney Chamber Choir discusses the dichotomy between the sacred and secular in choral music, embodied in his latest program.