The acclaimed Australian soprano hopes to continue performing but will be moving to Perth in January.

The soprano is looking forward to a new set of dynamics as she joins her co-stars ahead of Opera Queensland performances.

The soprano plays Melba in a new musical, while David Campbell and Toby Francis also star in Hayes shows.

Opera Queensland is offering 2,500 specially discounted $25 tickets to the French grand opera.

Here is a true labour of love: a history of Australian singers on record from the Nellie Melba generation to that of Sutherland and beyond. Music historian Roger Neill and recording expert Tony Locantro have spent 13 long years bringing this project to fruition, and the results – presented by Decca Eloquence on a four disc set – are fascinating. “Why has there been such an extraordinary procession of world-class Australian singers over such an extended period of time?” ask the producers. While providing no exact answers, this comprehensive survey includes some 80 wonderful singers in a wide range of musical genres, from opera to music hall and from art song to popular. Lovingly restored and remastered from original sources, many of these recordings are rare to downright obscure, and many names will be rediscoveries for even those who thought they knew the history of Aussie singers on record. The set begins with the eight Australians who are known to have been pupils of the great European singing teacher Madame Mathilde Marchesi. Ada Crossley, Amy Castles and Evelyn Scotney stand out, but the finest has to be Frances Alda who duets here with Caruso and whose In quelle… Continue reading…

Soprano Emma Matthews has won Limelight’s Australian Artist of the Year 2016. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

The country’s favourite soprano chats to Limelight’s editor about repertoire, the state of the profession and the Opera Review. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

If you’ve seen soprano Emma Matthews in an opera you will know that her performance lives long in the memory. It’s not just her glorious, limber voice that captures you but her remarkable acting ability. In short she lights up the stage. Witness the Aussie diva’s extraordinary and moving portrayal of Lucia’s madness a few seasons back for Opera Australia, or her vulnerability in La Traviata and comedic flair in Rossini’s Il Turco in Italia, playing superbly off buffo baritone supremo Paolo Bordogna. This theatrical quality adds immensely to her latest collection of bel canto gems, with ABC Classics following on from her triumphant 2010 Monte Carlo outing on Deutsche Grammophon. Featuring the Melbourne Symphony Orchestra under Andrea Molino, and produced by acclaimed tonmeister Virginia Read, this offering is as good if not better than the yellow label one. Whereas on the former recording Matthews laid out her entire stall and gave us 21 songs over a generous 76 minutes, the new album offers greater cohesion with interconnected moments from La Traviata, Il Turco and a brace each from Bellini’s La Sonnambula and I Puritani. It gets off to an effervescent start with Je veux vivre from Gounod’s Roméo et…

WA Opera celebrates its half century with three audience favourites and a special gala concert in the park. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

On the launch of her new CD with "the dancing conductor", the singer recalls the winding path to vocal glory.

The Australian soprano joins Daniil Trifonov, Hélène Grimaud and Dame Emma Kirkby in Melbourne Recital Centre’s 2017 series.

A stunning line-up of Australian performers will raise money for the victims of the tragic mass-shooting. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in