Avoiding greatest-hits predictability, the national opera company celebrates a milestone birthday with a satisfyingly thoughtful, ensemble-driven program.

Creating Opera Australia's 2026 season without an artistic director has been a galvanising challenge, "a real team effort".

Joy and wonder among the fun and laughter in Opera Australia's fairytale 2025 season opener.

Opera Australia begins the year with an English-language version of Massenet’s Cendrillon. We talk to its creatives this sumptuous, family-friendly staging.

With his contract renewed until 2028, CEO and Artistic Director Patrick Nolan offers a sneak peek at the year ahead as he reflects on OQ’s successes.

After navigating turbulence in recent weeks, Opera Australia charts a course to "engage and delight" in 2025.

Notable female talent deliver a one-off, semi-staged performance of the contemporary opera based on Lars von Trier’s disturbing film.

French director Laurent Pelly’s hit production of the Massenet favourite to open Opera Australia's 2025 campaign.

The DSO final concert of the year was a crowning achievement and a tribute to a legendary Indigenous elder and musician.

Opera Queensland's annual festival has earned its rightful place on the international opera calendar.

Directed by Peter Coleman-Wright, this production was a triumph, with superb singing, beautiful music and inventive staging overcoming budgetary limitations.

As Emma Matthews prepares to debut as Alcina, the role that earnt Joan Sutherland the moniker "La Stupenda", Peter Coleman-Wright lets us in on a surprise awaiting National Opera audiences.