Eve Klein tells us about Another Future, which will see rescued objects become part of a composition performed by Ensemble Offspring, and how her own experience of loss has shaped her response to the project.
Four Winds, Sydney Philharmonia Choirs, Gondwana Choirs and Sydney Chamber Opera are among the 58 small to medium arts organisations who will receive funding for up to four years.
The conventional wisdom says that for the performing arts the online space is difficult, if not impossible, to effectively monetise. We speak to the musicians and presenters who are making a go of ticketed live streaming events.
New initiatives from Ensemble Offspring, Pinchgut Opera and Strange Bedfellows are among the recipients.
Claire Edwardes, Artistic Director of Ensemble Offspring, weighs in on funding cuts, ‘unfunded excellence’, and the planned fee hike for arts and humanities degrees.
In this week's column, Angus McPherson looks at concerts by the Academy of Ancient Music, Ensemble Offspring and the West Australian Symphony Orchestra.
Small to medium companies who missed out in the Australia Council for the Arts’ latest Four Year Funding for Organisations round take stock in the midst of a crisis.
New music group Ensemble Offspring, director Barrie Kosky, and arts editor Richard Watts receive prestigious awards.
The classical music category was introduced by the National Live Music Awards this year.
Ensemble Offspring's micro-festival revels in the sheer pleasure of new music.
Ensemble Offspring’s Claire Edwardes tells us about six pieces that will premiere at the Kontiki Racket festival, including a work for a trumpet with two bells.
A dancer and a percussionist collaborate in an unusual duo, but the work still has more room to move.
Between classic Xenakis and contemporary Australian fare, Ensemble Offspring's Lone Hemisphere was one for the fans.
