A sparely elegant and well-acted production can't quite get us to the point where we can take Tennessee Williams's lurid tale seriously.

The nuances in US playwright Lynn Nottage's portrait of a last-chance diner are ironed-out in an over-the-top production.

UK playwright Simon Longman's wintry drama Gundog is a gripping, poetic and timeless portrait of rural life and death.

Melanie Tait's new play offers pithy insights into workplace misogyny and the off-mike culture of talkback radio.

The stand-out performances and best shows in Sydney are up for acknowledgement at the 18th annual Sydney Theatre Awards.

What do our theatre companies have on offer in the year ahead?

This exuberant, lo-fi production, adapted for the stage by Hilary Bell, with her father John Bell as Scrooge, is a delight.

A Christmas Carol has become a yuletide tradition. We explore its magic with the creative artists behind the various adaptations that are about to grace our stages.

This excellent production serves as a reminder of the unsettlingly timeless qualities of Pinter's 1960 drama and of the singular comic genius of actor Darren Gilshenan.

Anna Ziegler's compelling portrait of British scientist Rosalind Franklin is given an impressive, light-on-its-feet production.

The 10-play season includes three world premieres, a David Williamson comedy, a Tennessee Williams masterpiece and a 2021 Tony Award-nominated play.

The One is a vibrant, fun, inoffensive play, but it left Jessie Tu wondering if having characters catalogue the racial taunts they've endured frames them too much as a victim.