Australian composer Felicity Wilcox has taken out the $4000 prize from Rubiks Collective, and will collaborate with the ensemble on a new work.

The Australian National Academy of Music’s audacious commissioning project reaches its conclusion, with a festival in May to premiere 67 new works.

The pleasures and perils of writing music for film and television.

Limelight has been looking at whether the music our orchestras play genuinely reflects our society, and to what extent it ought to. Our readers have responded passionately and eloquently.

Many people are intimidated by new music because of a lifetime of sonic conditioning – a challenge Ensemble Offspring takes in its stride

Peter Tregear discusses the rise of identity politics and argues that if we wish to defend our orchestral culture, we cannot avoid questions of musical value.

Australians deserve to hear a great deal more music by First Nations peoples, women, gender non-conforming people, composers of colour, and our male contemporaries argues Felicity Wilcox.

Cameron Lam explores the string quartet in this month's playlist of Australian art music.

Another stellar release celebrating Australia's wealth of female composers.

Australians deserve to hear a great deal more music by First Nations peoples, women, gender non-conforming people, composers of colour, and our male contemporaries argues Felicity Wilcox.

Guitarist Andrew Blanch explains all in a deep dive back to the ‘90s.

Cameron Lam's playlist of Australian art music for December explores ideas of reflection, community and support.