Review: Flat Earthers: The Musical (Hayes Theatre Co & Griffin Theatre Company)
Defying gravity: a humane, humorous celebration of diversity in its many – and occasionally whacky – manifestations.
Defying gravity: a humane, humorous celebration of diversity in its many – and occasionally whacky – manifestations.
Merlynn Tong's play shows us that it is our internal journey and our relationships – not wealth and status – that matter most on the path to healing.
Lex Marinos will be remembered as one of the trailblazers of multicultural representation on Australian stages and screens.
Jules Orcullo has been awarded the 2024 Griffin Award for a play inspired by family, the Fab Four and "cycles of generosity, gratitude and grief".
Ellen van Neerven's play uses a swimming pool setting to explore the complexities of belonging, identity and assimilation.
Nadine Garner and Max McKenna are compelling as mother and daughter in this insightful, nuanced play about mental illness.
For the Love of Paper unfolds with flashes of humour and palpable warmth, but this production has some rookie issues.
A fascinating relic of the counterculture era, when theatre, rock music and poetry were colliding.
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A physical, fast-moving staging of Shakespeare's comedy but one that seems reluctant to allow laughter at the expense of its characters.
The shadow of the folk-horror genre hangs over UK playwright Rob Drummond’s Grain in the Blood - but not too heavily.
Rustic humour gets caught up in existential anxiety in this two-hander loaded with talent.
All up, with intervals, The Lewis Trilogy runs about seven hours. But don't let that put you off. As marathons go, it’s a benign one.