Henry James's famous novella remade into a cleverly calibrated exercise in jump-scares and spooky atmospheres.

"My ancestors held my hands writing this play," says Wendy Mocke, winner of the prestigious award for playwrights.

This energetic telling of the story of a trail-blazing mechanic and entrepreneur isn't firing on all cylinders.

Playwright Erica J. Brennan puts a provocative and bloody spin on a folk tale trope.

Full of heart and emotional complexity, Forgetting Tim Minchin doesn't leave a dry eye in the house.

This arresting new production of Caryl Churchill’s Far Away makes its dystopian vision seems more prophetic than ever.

Lacking nuance and originality, Jailbaby’s depictions of violence seem gratuitous, its characters insufficiently complex.

Patricia Cornelius's poetically powerful depiction of dementia and old age is stranded in the wilderness, its potential unfulfilled.

Actor Philip Quast prepares to venture into the frozen landscapes of Patricia Cornelius's wintry drama for Sydney Theatre Company.

Wannabe pop stars discover that fame and the music industry isn't everything they expected it to be.

Sylvia Khoury’s Pulitzer Prize-nominated Selling Kabul is a play that works like an ornate watch. This production is not ticking perfectly just yet.

Musical Director Zara Stanton on her role in turning a silent movie landmark into the Hayes Theatre's latest show.