Review: The Almighty Sometimes (Melbourne Theatre Company)
Nadine Garner and Max McKenna are compelling as mother and daughter in this insightful, nuanced play about mental illness.
Nadine Garner and Max McKenna are compelling as mother and daughter in this insightful, nuanced play about mental illness.
For the Love of Paper unfolds with flashes of humour and palpable warmth, but this production has some rookie issues.
A fascinating relic of the counterculture era, when theatre, rock music and poetry were colliding.
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A physical, fast-moving staging of Shakespeare's comedy but one that seems reluctant to allow laughter at the expense of its characters.
The shadow of the folk-horror genre hangs over UK playwright Rob Drummond’s Grain in the Blood - but not too heavily.
Rustic humour gets caught up in existential anxiety in this two-hander loaded with talent.
All up, with intervals, The Lewis Trilogy runs about seven hours. But don't let that put you off. As marathons go, it’s a benign one.
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