Review: A Midsummer Night’s Dream (Bell Shakespeare)
A physical, fast-moving staging of Shakespeare's comedy but one that seems reluctant to allow laughter at the expense of its characters.
A physical, fast-moving staging of Shakespeare's comedy but one that seems reluctant to allow laughter at the expense of its characters.
The shadow of the folk-horror genre hangs over UK playwright Rob Drummond’s Grain in the Blood - but not too heavily.
Rustic humour gets caught up in existential anxiety in this two-hander loaded with talent.
All up, with intervals, The Lewis Trilogy runs about seven hours. But don't let that put you off. As marathons go, it’s a benign one.
In 2024, some of the country’s leading arts venues will embark on or complete major renovations. What can audiences expect as a result?
A round-up of our recent news reports.
Sydney playwright Mary Rachel Brown named the first recipient of the major new prize for mid-career artists.
Irish writer John Breen's Alone It Stands, the story of an unlikely victory on the rugby field, is about to kick off at Sydney's Ensemble Theatre.
What do our theatre companies have on offer in the year ahead?
STC's Fences, Belvoir's The Master & Margarita and the musical Miss Saigon among the frontrunners in this year's Sydney Theatre Awards.
The Seymour teams up with some of Sydney's leading independent theatre companies to present five major productions.
Brisbane writer Maxine Mellor wins her first Seaborn Award for a play she describes as "a return to joy".
This month’s concert highlights from ABC Classic, independent radio and streaming.