Magnificent moon-lit music that illuminates cultural history.

The media executive and composer reveals the myriad threads weaving through his program for Adelaide Festival's Chamber Landscapes at UKARIA.

Janáček’s The Diary of One Who Disappeared is given an exquisite staging before a bold new work tears it to shreds in this intelligent and entertaining double bill from Sydney Chamber Opera.

Jane Sheldon gives a gripping performance in a work that resonates powerfully with the climate crisis.

Four Winds, Sydney Philharmonia Choirs, Gondwana Choirs and Sydney Chamber Opera are among the 58 small to medium arts organisations who will receive funding for up to four years.

Tonight's online premiere of four short operas by four Australian women composers is a major achievement for Australia's most inspirational modern opera company.

Though dramaturgically flawed, this adaptation of Peter Carey's beloved novel is full of daring and brilliance.

Conductor and Artistic Director of Sydney Chamber Opera Jack Symonds discusses Elliott Gyger’s new opera, an adaptation of the beloved Peter Carey novel Oscar and Lucinda.

Australians make a strong case for Saariaho’s well-travelled oratorio, but can’t entirely overcome the work's curiously dissatisfying nature.

Gender-swap aside, this is an important, deeply moving opera at a time when we need to continue these conversations.

Damien Ricketson and Adena Jacobs' The Howling Girls is an immersive, dream-like exploration of trauma and voice.

Director Adena Jacobs talks about her latest project for Sydney Chamber Opera and the haunting story of trauma from which it grew.