Review: Jordi Savall: Folías Antiguas & Criollas (Sydney Opera House)
Jordi Savall brought a subtle, understated warmth to this rich exploration of musical heritage.
Jordi Savall brought a subtle, understated warmth to this rich exploration of musical heritage.
The early music pioneer has revived treasures from the world’s four corners. We learn about an early passion for Elvis and some wise words of Mark Twain.
Jordi Savall conjures joy out of misery in an ambitiously conceived evening.
The programme includes Jordi Savall, Jean-Efflam Bavouzet, Taipei’s U-Theatre and the Michael Clark Company. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Early music pioneer and peace activist accuses ministers of incompetence toward the arts.
Standing ovation greets 3000 years of musical history and a moving plea for peace.
How did viol guru Jordi Savall find himself attempting to reproduce the 3,000-year old musical history of Jerusalem? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Montenegrin guitar star Miloš. Plus the 25 top European summer festivals worth travelling for. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
One of music’s most widely travelled explorers and an indefatigable advocate for intercultural understanding and world peace, Jordi Savall here returns with another extraordinarily rich multicultural musical offering: the music of the Balkans. As Savall writes in an introductory booklet note, he and his fellow musicians from different cultures “have delved into this extraordinary historical, traditional and even modern musical heritage to study, select and perform it, thereby creating a genuine intercultural dialogue between the different cultures that have so often been torn apart by dramatic, age-old conflicts.” The result is a vivid collection of traditional (instrumental) folk songs and dances – some joyful, some melancholy – largely drawn from Ottoman and Sephardic repertories. Five different ensembles have been configured for the different yet interrelated styles and traditions: Bulgarian and Macedonian, Gypsy and Hungarian, Serbian and Romanian, Turkish and Greek and Bosnian and Sephardic. The instrumentation is equally rich and includes accordions, violins, viols, lyres, guitars, ouds, a psaltery, percussion, ney and kaval flutes and a qanun (zither). A lively ‘Balkan Prelude’ from Serbia but with Turkish elements opens the disc, with some dazzling accordion and percussion work especially. What follows is a veritable crosscultural smorgasbord, including a soulful Romanian…
Since 1998, renowned Spanish conductor and gamba player Jordi Savall’s Alia Vox label has been synonymous with stylish packaging of equally stylish performances of early music. In 2007 Savall launched the Alia Vox Heritage collection in order to “offer a fresh vision” of the recordings he and his then wife, the soprano Montserrat Figueras, made with their instrumental and vocal ensembles on the Astrée label between 1977 and 1996. The remastered recordings on the four CDs contained in this handsomely packaged boxed set were originally made on that label between 1987 and 1995. Together they offer a snapshot of the kinds of vocal genres that flourished in Spain between the fifteenth and the seventeenth centuries, including the secular villancico and ensalada (“salad” – a variety of madrigal) and the sacred mass and motet. El Cançoner del Duc de Calàbria features music associated with the court of the Duke of Calabria in Valencia by composers such as Aldomar, Flecha, Morales and Guerrero; another CD is devoted to the sacred music of Joan Cererols, a monk who contributed much to the musical life of the monastery at Montserrat. The remaining two discs are given over to the villancicos and ensaladas of Mateo…
This mammoth tribute to the great Renaissance philosopher Erasmus could well be considered a folly (at least from a business point of view) in these times of global economic woes. Encased in a lavishly illustrated hardcover book are six discs; three of them containing the complete program, which includes both music and narrated excerpts (in French) from the works of Erasmus and his contemporaries, while the other three discs contain the music alone. A voucher accompanying the book allows the purchaser to download the narrated program in an impressive six other languages of choice, including English, from the Alia Vox website. It is no surprise that the first disc entitled ‘Praise of Folly’ pays homage not only to Erasmus’s great work of that name, but also to the famous dance music tradition of ‘La Folia’. The second disc, ‘Time of Reflections’ surveys events surrounding the earlier life of Erasmus while the third disc, ‘Time of Confrontation’ chronicles the advent of Machiavelli, the Reformation, and the death of Erasmus. The literary and musical breadth of the program, conceived by Jordi Savall and his late wife Montserrat Figueras, is monumental. By using recent recordings as well as some from as far back……
A cri de coeur across periods, cultures and artforms, this package comprising a 1,191- page illustrated hardcover book in eight languages including Hebrew and Arabic, a Multichannel hybrid SACD and a collection of postcard-size artwork is priceless – that said, it costs under $50. As Jordi Savall writes in the introduction to the book, Pro Pacem is a project that “makes a plea for a world without war or terrorism and for total nuclear disarmament.” Essentially, Pro Pacem forms a small but profoundly eloquent contribution to the cross-cultural dialogue necessary to create the conditions for world peace. Thus the music, drawn from Alia Vox’s extensive catalogue, brings East – Armenia, China, India, Israel and Turkey – and West – Belgium, England, Estonia, Greece, Italy and Spain – in song and instrumental music, much of which is sacred or whose texts deal with themes of peace. There is Binchois’ Da pacem, and Gregorian and Sibylline chant, the latter sung with great beauty and delicacy by Savall’s late wife, Montserrat Figueras. There is Hebrew prayer and Turkish improvisation on the Turkish lute. There are excerpts from the Koran. There is polyphony by musical giants such as Lassus and Guerrero. There is instrumental…
On the eve of his latest Australian performances we catch up with the globe-trotting gambist. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in