Review: Playing Beatie Bow (Sydney Theatre Company)
Kate Mulvany's new play based on Ruth Park's classic children's novel, set in The Rocks, is the perfect way to reopen the refurbished Wharf.
Kate Mulvany's new play based on Ruth Park's classic children's novel, set in The Rocks, is the perfect way to reopen the refurbished Wharf.
Shari Sebbens has been appointed Resident Director, while Courtney Stewart is the company’s new Richard Wherrett Fellow.
Ben Neutze discovers how Sydney Theatre Company’s universally acclaimed production magically melds old theatricality with cutting-edge technology.
Kip Williams' dazzling stage adaptation of Oscar Wilde's gothic melodrama, brilliantly performed by Eryn Jean Norvill, speaks to the here and now.
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The new-look Limelight magazine includes major features written by Mahima Macchione, Jane Albert, Carole M. Cusack and Alex Ross.
Read our features on religion, music and immortality, a Brazilian opera festival where everything is free, adapting literature for the theatre, as well as an extract from Alex Ross’s new book Wagnerism.
The season so far features a new adaptation of Ruth Park’s Playing Beatie Bow, the Australian premiere of Branden Jacobs-Jenkins’ Appropriate, and the musical Fun Home, originally scheduled for 2020.
The company returns with a socially distanced season of Angus Cerini’s new play Wonnangatta, starring Wayne Blair and Hugo Weaving.
King has been awarded the $25,000 Fellowship, while Keziah Warner has taken out the Patrick White Playwrights Award.
A View from the Bridge starring Rose Byrne and Bobby Cannavale, a new play from Angus Cerini, and the musical Fun Home are among next year’s highlights.
By establishing the rift between the boys too early, the production doesn't have the inexorable tension or poignancy of the book.
Zahra Newman and Hugo Weaving give dazzling performances, but the production doesn’t entirely hit home.