Kip Williams and a top cast explore the truth and mendacity in Tennessee Williams’ play.

The Fellowship is a prestigious professional development program for emerging and developing directors.

Sydney Theatre Company leads the charge this year, becoming the first ever company to make a clean sweep of the Best Mainstage Production category.

With the year drawing to a close, we look back over the theatre that wowed our critics in 2018.

Sarah Peirse is masterful as a Miss Docker we'll all recognise.

Power and family are in the spotlight in STC’s 2019, Kip Williams explains, with a swathe of new plays alongside modern classics like Lord of the Flies, Così and Cat on a Hot Tin Roof.

Hugo Weaving's brilliant Arturo Ui is terrifying because he's familiar.

Hugo Weaving stars in Brecht’s anti-fascist play for Sydney Theatre Company, but don’t expect a Hitler moustache.

Upton's Australian Chekhov is by turns funny and scouring.

A swathe of new Aussie works, an adaptation of The Harp in the South, and Hugo Weaving as Brecht’s Arturo Ui. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

Anna Dowsley stuns as Lucretia in Kip Williams' deconstructed Britten.

A stunning production of Caryl Churchill's thrillingly inventive, shape-shifting play.