Review: Blue Poles (Canberra International Music Festival)
A concert of works responding to Pollock's famous work contained moments of sublime contemplation and shocking newness, just like the painting itself.
A concert of works responding to Pollock's famous work contained moments of sublime contemplation and shocking newness, just like the painting itself.
The violinist discusses his new group’s origins, the repertoire they most enjoy, their experience at this year's Canberra International Music Festival, and whether a composer can recreate a painting through music.
A round-up of our recent news reports.
Western Sydney Philharmonic aims to provide a platform for students and professional musicians in the fastest growing population centre in the country.
Artistic Director Paul Kildea promises audiences the "broadest possible definition" of chamber music, with a season that reaches across cultures, genres and borders.
Co-Artistic Director Chris Howlett discusses how MDCH is spreading its embrace to more genres than ever.
Three Mozart concerts at the Canberra International Music Festival create curiosity and intrigue.
Winther’s ambitious solo Bach journey was not without its perils.
Before he embarks on a complete cycle of Bach’s solo works over a single day at the Canberra International Music Festival, violinist Kristian Winther tells us why he’s channelling the monster that never breathes.
Featuring Ute Lemper, requiems, Rossini's Il Viaggio a Reims, ZOFO's new Pictures at an Exhibition, the Bolshoi Ballet and the AWO's Alexander Briger.
The Brodsky Quartet, Ntaria Choir and Bach for breakfast are all on the menu at the Canberra International Music Festival this year. We talk to the Artistic Director about his plans.
Ross Edwards’ emerald sparkles between Schubert and Shostakovich in a high-energy outing from the Australia Piano Quartet.
★★★★☆ Crowd-pleasing snippets of JSB prove perfect showcases. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in