For the Love of Paper unfolds with flashes of humour and palpable warmth, but this production has some rookie issues.

A fascinating relic of the counterculture era, when theatre, rock music and poetry were colliding.

The shadow of the folk-horror genre hangs over UK playwright Rob Drummond’s Grain in the Blood - but not too heavily.

Lab Kelpie’s latest production, Every Lovely Terrible Thing, excels in the campy juxtaposition of humour and horror.

Rustic humour gets caught up in existential anxiety in this two-hander loaded with talent.

STC's Fences, Belvoir's The Master & Margarita and the musical Miss Saigon among the frontrunners in this year's Sydney Theatre Awards.

Six months after taking over the reins of the Sydney-based indie theatre touring company, CEO Robbi James has announced its closure.

Playwright Katie Pollock’s new play Human Activity takes a kaleidoscopic look at an event that stopped a city in its tracks.

Henry James's famous novella remade into a cleverly calibrated exercise in jump-scares and spooky atmospheres.

Playwright Erica J. Brennan puts a provocative and bloody spin on a folk tale trope.

A looming prom night puts a ticking clock under Jacob Parker's Dumb Kids, an energetic, thoughtful study of youthful anxiety and diversity.

UFO is not a play in which a lot actually happens. What makes it completely engaging is the way not a lot happens.