Read the October issue of Limelight Magazine online
This issue features the young Australians destined for greatness, Nina Stemme on Wagner's heroines, interviews with Katie Noonan, Donald Runnicles and more.
This issue features the young Australians destined for greatness, Nina Stemme on Wagner's heroines, interviews with Katie Noonan, Donald Runnicles and more.
Meet the next generation of classical music stars, learn what changes at mainstage venues mean for the industry, an interview with Nina Stemme and more.
Six Australian compositions have been shortlisted for the prestigious Orchestral and Song Cycle prizes, which will be announced at this year’s Peggy Glanville-Hicks Address.
A brilliant introduction to an early career composer full of ideas.
Carl Vine tells us about his swansong season as Artistic Director of the organisation, which celebrates its 75th birthday next year.
Composer Lachlan Skipworth tells us about collaborating with Numbulwar musician Don Nunggarrgalu on a new work commissioned for the orchestra's 30th birthday.
The orchestra achieved a stunning level of power in Dvořák's Ninth.
In his latest work for the West Australian Symphony Orchestra, Lachlan Skipworth evokes the unique rock formations of WA.
Part marathon, part tasting plate, part John Cage’s Musicircus, Lyle Chan’s 12-hour festival will see Australia’s most innovative music-makers converge on City Recital Hall.
Taikoz and the SSO whip up a storm in the concert hall.
Riley Lee’s shakuhachi had Lachlan Skipworth heading to Japan. Now he’s melding its haunting melodies with orchestral forces.
The Perth-based composer has been awarded the prize for Spiritus, premiered by the West Australian Symphony Orchestra this year.
The WA composer’s Clarinet Quintet is his second work featured at an International Society for Contemporary Music festival.