OA reports a $2.1 m loss for 2017
As OA releases its 2017 Annual Report today, Rory Jeffes discusses the operating deficit and into the future.
As OA releases its 2017 Annual Report today, Rory Jeffes discusses the operating deficit and into the future.
Brazilian baritone Paulo Szot will play Juan Perón opposite Tina Arena as Eva, it was announced today.
Now based in Paris and soon to make her Met debut, high-flying soprano and new mother Nicole Car talks to Jo Litson as she returns home for a concert tour with the Australian Chamber Orchestra and an important role debut with Opera Australia.
Four young singers from Queensland, Western Australia and the Northern Territory will travel to Sydney in January for a week of professional training with Opera Australia.
The company’s new system caters to patrons from around the world, but how long before we see something similar in Australia? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Stars on offer include Nicole Car, Jessica Pratt, Leo Nucci, Ferruccio Furlanetto, John Tomlinson and Michael Fabiano.
The singer is to play Eva Perón in a revival of Hal Prince’s original 1978 production of Evita for OA and John Frost. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The company made solid financial gains in its 60th anniversary year. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Louise Herron, Lyndon Terracini, and David McAllister share their thoughts on the SOH Theatre as renovation work begins. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A well-respected figure in the Australian arts scene, the Sydney Symphony Executive Director will join OA in August.
The Australian mezzo soprano has been dropped from OA’s Parsifal for reasons that at present remain a mystery. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Szymanowski’s magnum opus was seen by many as a box office risk, but ended up exceeding its budget. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Heldentenor criticised OA for repetitive choices and employing “second rate” international singers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in