Review: 84 Charing Cross Road (Ensemble Theatre)
The Ensemble's peppy production finds the pulse in the story of an unconsummated transatlantic love affair.
The Ensemble's peppy production finds the pulse in the story of an unconsummated transatlantic love affair.
Ambition, cultural capital and cheap wine collide in a David Wiliamson comedy that leaves the ladder in place.
Honouring the mechanics of a well-worn classic, this Dial M slyly reveals how much was lurking in its margins.
Jules Billington and Jessica Fallico next in line for the Ensemble Theatre's career-development program.
Hollywood royalty, new Australian plays (including one by David Williamson) and the return of the Middling Cove Players. Dive in!
In a room tuned to chamber-sized work, David Williamson's Emerald City comes across as shouty and unsubtle.
Retaining the same cast since its 2010 premiere, the passing years have been kind to David Williamson's last-chance-for-love rom com.
Humour to the fore in this pairing of early Harold Pinter works, but the playwright's coded critiques of power don't show through.
An intense and subtly surreal staging of the semi-autobiographical Tennessee Williams classic.
Joanna Murray-Smith’s adaption feels faithful to Chekhov’s original portrait of a fractious household stuck in a rut.
Oscar and Felix are back, this time with Shane Jacobson and Todd McKenney in the title roles of Neil Simon’s classic comedy.
A billionaire takes on a supermarket shelf stacker in David Williamson's broad but entertaining satire on wealth and power.
Ensemble Theatre ends its 2023 season with a complete – and very deliberate – shambles of a drawing room thriller.