Review: Flexible Sky (Melbourne Chamber Orchestra)
Latin rhythms, suspenseful harmonies and compelling solos in a blend of the old and new.
Latin rhythms, suspenseful harmonies and compelling solos in a blend of the old and new.
With a major world premiere on every program, Omega Ensemble brings a fresh, contemporary focus to its 2026 season.
Discover the music of Australian composers, from Christopher Hale to Sophie Hutchings.
Cameron Lam’s September playlist creates a listening experience that keeps speeding up, using local Classical, Jazz and Sound Art.
Sam Weller and Hannah Solveij combine for a challenging peek into possible future directions for concertgoers.
We're celebrating our 250th issue this month. Rather than look back, we've asked leaders in the field to imagine what music might be like when we publish Limelight #500.
Australia's William Barton, rising German flute player Meret Louisa Vogel and Canadian piano star Avan Yu are on the guest list.
Cameron Lam’s monthly Australian Art Music playlist once again features the piano, both solo and in ensembles across Classical, Jazz, and Sound Art.
Liza Lim talks to Maddy Briggs about her curatorial vision for the Melbourne Symphony Orchestra’s 2025 Metropolis Festival.
A punchy Prokofiev outshone by James Ehnes’ stunning Barber concerto.
Music lovers give Heavenly Thanks as they farewell the incomparable Goldner String Quartet in the room where it all began.
Being a composer is not about sitting in a room writing complex symphonies, says Matthew Hindson. It's about making music that connects.
Whether dark, smooth, complex, or sparkling – there’s bound to be something to your taste in this month's Australian Art Music playlist from Cameron Lam.