Review: The Merchant of Venice (Bell Shakespeare)
An intelligent, lucid production that gets the balance between comedy, cruelty and pathos just right.
An intelligent, lucid production that gets the balance between comedy, cruelty and pathos just right.
John Bell’s Ensemble debut, a Reg Livermore one-man show and Ayckbourn’s The Norman Conquests are on the bill. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A thought-provoking exploration of story-telling and the fragility of memory.
Butel captivates as flawed Renaissance physician in Finsterer's new opera.
Powerful and emotional experience, with fabulous singing, despite amplification problems.
Geordie Bookman has formed an Ensemble company which will take its first steps with two back-to-back productions.
Toby Schmitz, Mr Burns from The Simpsons, Mark Colvin, Jasper Jones and a talking cat all turn up in the 2017 season.
Praise the Lord for a grown up musical, sensitively staged.