Following the success of the first ever performance in 2019, Opera Australia will return to Uluru from December 11 to 13 with an even bigger program.

Graeme Murphy’s much-loved production returns, with American soprano Lise Lindstrom in the title role.

New Zealand bass-baritone Teddy Tahu Rhodes tells Angus McPherson about the “lucky break” that took him from accounting to international opera stardom, why he’s loving the roles he’s getting in his 50s, and why sometimes it’s OK to be booed.

The Welsh superstar demonstrates both artistry and a sense of play in latest Australian outing.

As his contract is renewed until the end of 2023, Terracini discusses his 10 years at OA, the introduction of musicals and digital productions, and getting married.

A rich, confident revival helmed by strong performances.

Opera Australia brings Strindberg's strange, purgatorial world to the Scenery Workshop.

Director Greg Eldridge discusses how he’s coming to grips with Aribert Reimann’s Ghost Sonata, an operatic adaptation of a Strindberg play that’s all about the lies we tell ourselves in order to survive.

Though dramaturgically flawed, this adaptation of Peter Carey's beloved novel is full of daring and brilliance.

Ample talent on display, but the story needs more work to properly take off.

The Australian-Mauritian soprano will make her role debut as Violetta when La Traviata returns to Handa Opera on Sydney Harbour next year.

Once again it was Counting and Cracking's night as the epic new play from Belvoir and Co-Curious took home three more awards.